Sunday, July 10, 2011
Ancient Ruins, Inscriptions and Bas-reliefs in Iran
As a ruin, there is not much to see at Pasargadae, the city which the Achaemenian Cyrus the Great began around 550 BCE when he first assumed power. There are palaces with only a few columns standing, a bas-relief or two, and the outlines of some channels and pools which brought life to the gardens surrounding the palace.
To the left is a corner pillar that bears an inscription in three languages saying: “I am Cyrus, the Achaemenian king.” Interesting to consider what made him want to leave this note for posterity.
When Darius I assumed the throne in 522 BCE, Pasargadae was relegated to a secondary position as Darius started building first Susa, then Persepolis.
The immense rock face details the victories of Darius the Great (Darius I), to commemorate his victory over Magus Gaumata and the consolidation of his power. Darius is standing over the body of Gaumata and facing him are the eight rulers of provinces that threatened his reign. Behind him are his allies. Above is the winged figure of Ahura Mazda whom he thanks for assistance in his victory. In these bas-reliefs, as in others of this era, the bigger the size of the person, the more important he was. There are cuneiform inscriptions of Darius’ greatness in three languages Elamite, Akkadian or Neo-Babylonian, and Old Persian. Henry Rawlinson, a British army officer, in 1835 made casts of the texts by dangling himself off the cliffs. His casts facilitated scholars in deciphering the Old Persian cuneiform scripts.
Darius the Great (or Darius I) started to build this complex in about 518 BCE and work continued on it for nearly 150 years. It is thought to have been used for the Zoroastrian New Year’s celebrations when the various nations in the empire came to pay their respects and offer tributes. Persepolis lasted until Alexander the Great entered the city in 330 BCE, carried off the royal treasury, and possibly set it afire. It is not clear whether it was accidental or deliberate. But the glorious Persepolis was destroyed and subsequently abandoned.
For a ruin, it is in relatively good shape because it was covered by dust and sand until excavations in the 1930s uncovered it.
Disclaimer: I can say with absolute certainty that all of these photos were taken at Persepolis. But I must admit that I am not so confident about their exact location on the site. I have done my best to place them correctly; but if you spot any egregious errors, I would be so pleased if you would let me know.
This may be from the Apadana. In this room there were six rows of six columns; each one was topped by griffons, bulls or lions set back to back.
To the left is an example of a griffon.
Lion and bull motif on the Apadana Palace Stairs. According to my sources, the lion represents the sun and the bull represents either the moon or the earth. Because this complex was used for the Nowruz or New Year's celebrations which occur on the first day of spring or the vernal equinox, this scene may represent the light winning out over the darkness or it may show that the powers of the sun and the earth or moon are always in equilibrium. Remember a similar scene from the Museum of Azarbaijan, shown in the post above?
Northern panels of Apadana Palace Stairs: Persians in long robes and Medes in short ones.
These are the Persian Palace Guards on the Apadana Palace Stairs.
The following three photos are from the Palace of Darius or Tachara.
Door jams of the north and south doors of the tripylon show King Darius followed by two servants holding a fan and a parasol.
Originally thought to be a guide to finding mythical Median treasures, this first of two inscriptions in cuneiform turns out to be a thank you from the Achaemenian ruler Xerxes I (486-465 BCE) to the Zoroastrian god Ahura Mazda for making him such a good king. It is written in Old Persian, Neo-Elamite and Neo-Babylonian. The second inscription says pretty much the same thing about Darius I (522-486 BCE), Xerxes’ father. After checking out the inscriptions, we stopped for tea at a small tea house and I had my first hookah experience of the trip.
Believed to be the tombs of Achaemenian kings Darius I (died 486 BCE), Xerxes I (died 465 BCE), Artaxerxes I (died 424 BCE), and Darius II (died 405 BCE). The openings led to funerary chambers where the bones were stored after the vultures had picked them clean, as was the Zoroastrian custom. Each tomb is in a cross-shape. This shape has engendered much speculation. What is clear from Reza’s comments about Achaemenian architecture is that they had a huge reverence for balance and symmetry and this shape has both of those elements.
See below for some comments about the Sassanian bas-reliefs below the tombs.
The Greek inscription says that this figure was carved for Hyakin in 148 BCE in honor of a local governor. He is identified as Hercules because the club and lion skin on which he is laying is associated with him. Apparently his head was replaced at some point.You can see the place where it was reattached.
These are amazing bas-reliefs of imperial conquests and royal ceremonies from the Sassanian Dynasty. The one shown above is of the investiture of Ardeshir I (224-241), on the left, the founder of the dynasty. Ahura Mazda, the Zoroastrian god, on the right, is handing him the beribboned diadem, a clear sign that Ardeshir's right to the throne came from god. Ahura Mazda is also holding the sacred barsom of twigs which is fuel for the sacred fire. Under the hoofs of their horses are their enemies. Carved around 240, it also has inscriptions in Middle Persian and Greek identifying the four figures, two of which are behind Ardeshir..
This archeological site is set in a beautiful shaded garden with a small pond. The bas-reliefs in grottoes are a pleasure to explore. Above you can see a royal investiture with the king, Khusro II, standing between Ahura Mazda and Anahita. Ahura Mazda, on the right, is handing the king the royal diadem and symbol of power and the goddess Anahita, on the left, is handing him a second ring and pouring out water. Anahita is the composite Iranian deity of domestic animals, fertility, and water. Love and war were added to her list of responsibilities when the Achaemenian king Xerxes I forbade the worship of Ishtar, a Babylonian deity of love and war.
Coin of Shapur II.
Located on the edge of a small lake with a high mineral content, the Zoroastrian temple was dedicated to Adur Gushnasp, the fire of the king and warriors, which is one of the three most important fires in Zoroastrianism. It was also used as a site for royal coronation ceremonies. It was built in the late 5th century on top of Parthian buildings with a stone wall and round towers encircling the complex. In the late 13th century it became the summer capital of the Mongol Abaqa (1265-1282) of the Ilkhanid Dynasty, who was interested in reviving the pre-Islamic culture of Iran.
As you can tell from the gray skies above, rain was threatening for most of the morning and mid-way through our exploration started in earnest. It was also very chilly. Consequently I didn't take nearly enough photos, except for this wonderful reconstructed barrel vault to the left and various amazing openings, arches and stonework below. And with teeth chattering, I had a hard time following Reza's explanations, clear and succinct as they were.
As the rain increased, we hurried from place to place and ended up having our “picnic” inside a small store on the edge of the parking lot which was dry but not all that toasty. I would have given anything for a cup of hot tea.