Tuesday, May 24, 2011

A daunting future for Waterstone’s

Anna Baddeley in The Spectator

Monday, 23rd May 2011

A daunting future for Waterstone’s

The only time in the last decade I’ve bought something other than wrapping paper from Waterstone’s was when last winter’s snow prevented my Amazon order showing up in time for Christmas. Two hardbacks cost me a whopping £22 more than I had paid online. Short of forking out £50,000 for a super-injunction I can’t imagine a less satisfying transaction.

Last Friday’s news that the chain has been bought by one of Russia’s poorer oligarchs was greeted rapturously by the book industry; its new managing director James Daunt (founder of the upmarket book chain) hailed as a messiah with excellent taste in bookshelves. But the notion that this takeover is going to provide any more than temporary relief from Waterstone’s problems is wishful thinking in the extreme.

The hope is that Mamut’s milions and Daunt’s expertise can revitalise a business that has suffered from ineffectual management and lack of vision. Over the years, Waterstone’s massive losses have been variously blamed on:
1) The ineptitude of its booksellers
2) The incompetence of its supply system
3) Its embarrassing rebranding
4) Failing to engage with local communities
5) Promoting celebrity memoirs over more literary fare
6) Its three for two offers starting a trend for discounting
Some of these accusations (the disaster of the Hub, for instance) are legitimate; others (the intelligence of its staff) are a tad unfair.

But all pale into insignificance beside the real – the only – issue at stake: price. People are no longer prepared to pay recommended retail price for books, and unless Amazon goes bust, not even the Daunt-Mamut dream-team can save Waterstone’s.

Thanks to Queen of Shops, Mary Portas we know that if you can’t compete on price, you have to compete on something else: knowledgeable staff, swanky interiors, and strong links with the local community.
Bookshops, however, are not the same as organic greengrocers. At least if you go to Whole Foods for your tinned tomatoes instead of Tesco’s you can kid yourself that the extra two pounds you’re paying is for their richer, pesticide-free flavour. A book, however, is the same wherever you buy it.

Daunt’s shops may be gorgeous, their range superb, their staff friendly and erudite, their events delightful, their tote bags chic. But once it is on your shelf, there is nothing to distinguish a Daunt-bought copy of The Finkler Question from one bought on Amazon or “Bookseller of the Year”, Sainsbury’s. It doesn’t come with a calf-skin dust-jacket, or a scratch-and-sniff facility, or a fold-out Stephen Fry to read it to you when your eyes get tired.

Borders Announces Touch Screen-Equipped Kobo

Book2Book

Inspired by Sony's line of Readers, Kobo today announced the Kobo WiFi Touch Edition, a touch-screen-equipped version of its Kobo eReader. By adding a touch screen the Kobo Touch alters the unintuitive nature of e-reader page turning by ditching buttons in favor of more intuitive touch-based gestures. Pages can now be turned by swiping across the reader's screen rather than by the press of a button, a significant departure from how the Kindle works.

ZDNet

Malone's Barnes & Noble bid a bet on the Nook

Associated Press - Forbes.com

By ANNE D'INNOCENZIO , 05.20.11, New York

Why buy a bookstore?
John Malone, who made a fortune in cable television, is offering $1 billion for Barnes & Noble - trying to jump into a business so sick that its No. 2 competitor, Borders Group Inc. is on life support.

The difference is that Malone and his Liberty Media conglomerate isn't betting on the books-and-mortar past, analysts say, but the promise of the electronic future.

Barnes & Noble's Nook electronic reader now accounts for 28 percent of the market for those devices. And the Nook has the potential to go beyond books to deliver all types of digital products, including music, magazines, TV shows and movies. That makes it a competitor not just to Amazon.com's Kindle but also to Apple's iPad.

"This deal is all about the device," said Sherif Mityas, a partner in the retail practice of global management consulting firm A.T. Kearney. "As Apple proved, you need to have the content and the device. Malone has the content, and Barnes & Noble has the device. You're not buying the stores; you're buying the Nook."
Malone's empire, Liberty Media Corp., operates three publicly traded companies - Liberty Interactive Inc., Liberty Starz Group and Liberty Capital Group - through which it runs home-shopping network QVC and movie channel Starz. It also holds stakes in numerous other online, media and communications companies. Some believe that QVC could be used as a marketing vehicle for Barnes & Noble's Nook.

With the backing of a media conglomerate, Barnes & Noble's digital business would be able to compete better with Amazon, Apple and others, said Gary Balter, a retail analyst at Credit Suisse.
Barnes & Noble's 700 stores may appear to be an albatross. But they could be transformed into places that highlight mostly digital devices and content and mimic Apple's successful stores. Barnes & Noble has already cleared space at the front of its stores to display the Nook and push e-books.

Read the full story at Forbes.com

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Bollinger Everyman Wodehouse Prize goes to an American author for the first time



New Yorker Gary Shteyngart has today, Tuesday 24 May 2011, been named winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction 2011 for his novel Super Sad True Love Story (Granta). One of the New Yorker’s ‘20 under 40’, Shteyngart is the first American to win this very English prize, which celebrates fiction that has captured the comic spirit of P.G. Wodehouse. He joins an illustrious group of previous winners including Man Booker Prize winners Ian McEwan and Howard Jacobson and comic greats Marina Lewycka and Jasper Fforde.  

P.G. Wodehouse may have a reputation as a quintessentially English author, but he had a close connection with America throughout his life. He spent many years in the US, becoming an American citizen in 1955, and several of the books in his Jeeves and Wooster series, amongst other stories, are set across the pond.

Shteyngart’s third novel is a dystopian tale set in a near-future, functionally illiterate America on the brink of collapse. The book follows the plight of Lenny Abramov, who vows to convince his fickle new love that, in a time without standards or stability, there is still value in being a real human being. David Mitchell described the book as ‘an intoxicating brew of keen-edged satire, social prophecy, linguistic exuberance and emotional wallop’.

Peter Florence, judge and director of the Hay Festival, comments on the winner: “Gary Shteyngart's writing is thrilling.  He's a staggeringly clever satirist who manages to create worlds and people of perfect coherence and outrageous misfortune.  This is great literature and it's wild comedy.”

The winner is announced just ahead of a winner event at this year’s Hay Festival. At the event on Saturday 4 June, Shteyngart will speak about his winning book with Gaby Wood, Head of Books, at the Daily Telegraph and will receive his prize: a jeroboam of Bollinger Special Cuvée, a case of Bollinger La Grande Année and a set of the Everyman Wodehouse collection.

In true Wodehousian tradition, Shteyngart (pic left) will also be presented with a locally-bred Gloucestershire Old Spot pig, which will been named ‘Super Sad True Love Story’ after the winning novel. It will join a long line pigs christened with rather bizarre names, including Salmon Fishing in the Yemen, A Short History of Tractors in Ukrainian, and All Fun and Games until Somebody Loses an Eye.

The judges for the 2011 prize were broadcaster and author, James Naughtie; Everyman publisher, David Campbell; and Director of the Hay Festival, Peter Florence.